Tag: money
Portobello Font
Designed by Steve Jackaman, Portobello is loosely based on Pontecorvo, a design by Aldo Novarese. Published by Red RoosterDownload Portobello
Brigade Font
In searching for a Roman to use there were bits of Bembo,Times,Garamond etc., that I liked and bits that I did not. So I set out to take the best bits of all my favourite Romans and tried to create
Poor Richard Font
Designed by Paul Hickson. Based on the Keystone Type Foundry design, circa 1919. The l/c ‘g’ appears as an alternate character in our font. Published by Red RoosterDownload Poor Richard
Certified Family Font
The Certified typeface series was born out of a need to give designers the ability to embellish their designs with high quality certificate borders that could be scaled to any application easily. Designed by Bai Meillon & Stuart Sandler. Published
Beckenham Font
Designed by Les Usherwood, Beckenham was digitally engineered by Steve Jackaman. The x-heights are radically different; the x-height on the light version is small, and gets larger as the weights progress. Published by Red RoosterDownload Beckenham
Jubilee Font
Designed by Paul Hickson. Designed by the famous English (type designer) Eric Gill, it was created specially for the Silver Jubilee Wedding Anniversary announcement of George VI and Queen Mary. Published by Red RoosterDownload Jubilee
Windsor Font
Designed by Stephenson Blake in 1903, Windsor is a multi weight serif family released by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Windsor
YWFT Illuminati Font
It is with this incredible display font, Initiated in the Supreme Grade, that you shall preserve the Great Doctrine. Adding these heiroglyphic sigils, suitable for the Secret Languages of the Ages, to any manuscript shall Illuminate it. Let the Brother
Argus Font
Designed by Steve Jackaman, Argus is a serif design based on the popular 1968 VGC typeface. Published by Red RoosterDownload Argus
Certified Two Font
The Certified typeface series was born out of a need to give designers the ability to embellish their designs with high quality certificate borders that could be scaled to any application easily. Designed by Bai Meillon & Stuart Sandler. Published
Certified Three Font
The Certified typeface series was born out of a need to give designers the ability to embellish their designs with high quality certificate borders that could be scaled to any application easily. Designed by Bai Meillon & Stuart Sandler. Published
Crazy Loot Font
Crazy Loot is an alternate caps offbeat Latin display typeface with a retro feel! Comes in a variety of flavors to capture the look of greasy currency! Published by Breaking The NormDownload Crazy Loot
Astoria Font
Based heavily on Gill Sans especially in the mid weights, Astoria has a subtle top left serif which makes it not quite a Roman and not quite a Sans. Designed specifically as a text face it still works very well
Badger Font
Designed by A. Pat Hickson, Badger is an original and unique sans-serif design. Designed for the Red Rooster Collection in 2002. Published by Red RoosterDownload Badger
Rocklidge Pro Font
Designed by Steve Jackaman & Ashley Muir. This design was inspired by the 1965 VGC typeface, Jana by Richard D. Juenger. Originally available as a single weight, Rocklidge now has five weights and contains all the high-end features expected in
Forum Titling Font
Designed by A. Pat Hickson. An original design based on the Frederick Goudy design first shown in 1912. Originally a caps only design in one weight. Produced as a foundry face by Lanston Monotype 1924. Published by Red RoosterDownload Forum
YWFT Darts Font
YWFT Darts is less about the beloved game, and more about a bunch of paper currency designers having lunch at an Aztec restaurant. These circular symbols would be equally at home on a Navajo tapestry as they would on a
Dominus Font
Designed by Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood’s ‘Elston’ typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). However, the new