Tag: 1900s
Dundee Font
Designed by A. Pat Hickson, Dundee is a new design inspired by the various mastheads used in children’s comic books in England, published by D.C. Thompson of Dundee, Scotland. Published by Red RoosterDownload Dundee
Administer Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. A few weights were originally released by another foundry; but this complete version of the family is a better match to Les original drawings! Published by Red RoosterDownload Administer
Veronese Font
Designed by Steve Jackaman, Veronese is based on the early original Monotype design, you can definitely see the influence of Italian Old Style, Jenson and Morris Golden Type. Published by Red RoosterDownload Veronese
Goudy 38 Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Originally designed by Frederick Goudy for the original Life magazine, circa 1908. The typeface was used almost exclusively for their advertising and was often known as Goudy Gimbel; but the typeface
Leighton Font
Designed by Paul Hickson, Leighton is a clean serif based on Lectura, a design by Dick Dooijes of the Amsterdam Foundry (1966). Published by Red RoosterDownload Leighton
Packard Font
Designed by Steve Jackaman & Ashley Muir. Packard Old Style is based on lettering drawn by Oswald Cooper for the Packard Motor Company (ATF 1913). The bold weight is credited to Morris Fuller Benton (ATF 1916), but it is highly
Wurlitzer Pro Font
Designed by Steve Jackaman & Ashley Muir. This design was inspired by an early 20th century woodtype. Wurlitzer contains all the high-end features expected in a quality OpenType Pro font. Published by Red RoosterDownload Wurlitzer Pro
Falcone Handcrafted Typeface Font
The Falcone is a vintage and expanded handcrafted typeface designed by Akufadhl. Published by AkufadhlDownload Falcone Handcrafted Typeface
Franklin Gothic Raw Font
When drawing a new font, there is a time when the final form is found – almost – but the curves are not slick and clean yet, that’s what I call the “raw” form. Raw – no sweeteners added! In
Monkeytails Font
I don’t know what other type designers call those long swirling embellishment, but I call them “Monkey tails”. So when I decided on this version of my good old “Royal Bavarian”, I decided to call the new font Monkeytails. I
Rosengarten Font
Rosengarten is a condensed, bold typeface inspired by the work of Lucien Bernhard and the Plakatstil movement. With bold, rounded serifs, this typeface was created for use in headlines and larger point sizes. A complimentary sans serif style was integrated
TT Octas Font
TT Octas is a narrowly proportioned font family built upon the principle of octagonal forms: all circles in this font family are actually octagons. Thanks to small serifs, TT Octas has a saturated and vintage character to it. Simple depiction
Dylan Copperplate Font
Dylan Copperplate is my newest addition to the ever growing family. The small flicks of the burin add an elegant touch to the solid font-design. Very handsome and useful for all kinds of invitations and business-cards as well as for
Copperplate Classic Medium Font
“Copperplate” was the classic nineteenth century engravers typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy’s cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally
Copperplate Classic Light Font
“Copperplate” was the classic nineteenth century engravers typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy’s cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally
Copperplate Classic Font
“Copperplate” was the classic nineteenth century engravers typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy’s cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally
1820 Modern Font
This family (4 files) was inspired mainly ( Normal and Italic style ) from a Didot’s pattern font used in Rennes (France, Britany) by Cousin-Danelle, printers, for ” Antiquités historiques et monumentales , visits de Montfort & Corseul, par Dinan…
