Viktor Solt-Bittner drew logo sketches for an insurance company. Luckily for Schriftlabor, they rejected the design, and he turned the sketches into a font family. Years later, Plantago was expanded, developed and completed by Schriftlabor’s type directors Franziska Hubmann and
Acme Gothic (2018) is based on the thick and thin gothic lettering style popular in the U.S. in the first half of the twentieth century. There have been typefaces in this genre before, but they were either too quirky (Globe
Kernel is a square geometric type family in six weights with matching obliques and small caps. The design mixes slightly rounded terminals and shoulders with square counterforms, giving the shapes a strong masculine and futuristic look, great for applications like
Antipol is a Sans Serif design that reverses the conventions of a regular Latin Sans Serif. With a weight emphasis on the horizontals and its vertical terminals Antipol radiates a 1970s charisma known from the like of Antique Olive. Its
The retro-inspired design of Aviano Copper echos the bold style of America’s Gilded Age. Inspired by the copper-inscribed intaglio printing designs of the early 20th century, the powerful, wide character shape of this font walks softly across your page while
This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. Use at size 10 pixels or multiples of 10 and anti-alias off is recommended. Published by Dharma TypeDownload Flat10 Antique
Brent 4F is a serif font design published by Sergiy Tkachenko Published by Sergiy TkachenkoDownload Brent 4F
Simple, clean, and fun — MacGuffin is like if Dr. Seuss and a highway sign got put in a blender and came out in font form. The letters are all crisp, sharp, and smooth; perfect for any crafting project, logo,
Fibra One looks like a “soft” version of the Fibra font, but it is actually more than that—the second part of its name suggests that it is a reinterpretation of the original typeface. While this new version maintains the overall
Sequel 100 Wide was designed in 2018 by type designer Jeschke in Berlin. It is based on the sans-serif typefaces of the early 19th century. A characteristic feature of the Sequel 100 is the almost equal thickness of the vertical
Heading Pro Wide and Heading Pro Ultra-Wide are two variants of the original Heading Pro typeface designed by Francesco Canovaro for Zetafonts. These two extended width families have been added to the original condensed width family to be used for
Umba Sans is a contemporary typeface designed by Anita Jürgeleit. The undulate shaped curves create a new highly aesthetic appeal in an unexpected manner. Therefor Umba Sans fulfills your corporate identity needs as well as your editorial demands. 30 styles
With the world’s love for all things handcrafted and organic, handwritten fonts have become more popular than ever before. To meet that rising demand without breaking your bank in the process, YouWorkForThem has put together The Handwriting Collection, a reserve
Tecna is a modern sans typeface with straight cuts, rounded angles and curved thinnings at the endings that make the letter shapes fresher. The rounded characters are squarish giving to the layout a very structural appearance. Its wide proportions give
TT Travels is a geometric grotesque with wide proportions and peculiar shapes of circles and brackets. TT Travels incorporates two stylistic sets which add completely different characters to the type family. The first set ss01 (aka salt) makes the font
The font is actually not a revival of ‘Avant Garde’—by Herb Lubalin—but it takes its spirit. Fibra is a geometric sans serif, yet without the typical structural strictness of these kind of fonts, that represents experimental type design. This can
Bakerie is a handwritten script type family of 42 fonts, consisting of 7 weights, 3 widths, and 2 versions. Designed to be a hard-working, genuine handmade set of scripts that are useful in a variety of settings. The lighter weights
