Geometric typeface inspired by cartoon title lettering “Golden Antilope” (Золотая Антилопа). Source for inspiration https://www.youtube.com/watch?v=hshlvj3xr7g Published by Sergiy TkachenkoDownload Indi Kazka 4F
Sandbrush is a natural hand brushed font. Works great for any design needs such as logos, branding, modern advertising design, logos, poster quote, book / cover Title, editorial design, website / blog, card, custom mug, pillow, t-shirts, and any hand-lettered
What happens when Roman and Art Nouveau heritage get together? Antiga happens. Combining an old style typeface with an elegant and modern touch, Antiga is ideal for magazines and newspaper headlines, or even book covers! With a delightful and versatile
No, rest assured – I am not ill. I just liked the letter combination of Symptomatic! Symptomatic is a messy connected brush script. Use if for your book titles, posters and product packaging. Comes with double letter ligatures and a
TT Jenevers is a modern serif with Dutch flavor. The font family features the characteristic details peculiar to Dutch serifs—these are the asymmetrical shape of serifs and an irregular slant of ovals. For example, in the letter “o” there is
Blacker is a wedge serif type family designed by Cosimo Lorenzo Pancini and Andrea Tartarelli as a take on the contemporary “evil serif” genre: typefaces with high contrast, 1970s-evoking proportions and sharp wedge serifs. Design details have been fine-tuned in
Codec is a geometric sans serif type system, designed by Cosimo Lorenzo Pancini with Francesco Canovaro and Andrea Tartarelli. Codec provides you with two coherent variant fonts built on the same base skeleton: Codec Cold and Codec Warm. In Codec
The Genesa typeface is a condensed, rounded sans serif typeface with a contemporary styling ideal for editorial or branding design. With it’s 4 weights and accompanying italics, this family can be used for large titles or display settings but is
Radcliffe is a typeface family designed in 2018 by Cosimo Lorenzo Pancini and Andrea Tartarelli, as a reinvention of traditional Clarendon design in search of a “contemporary classic” typeface look. Tailor made for elegance, Radcliffe features the strong bracketed serifs,
Sugo Pro is a condensed geometric sans serif with a robust body, slightly rounded corners and no-nonsense street style attitude. The sturdy, robust design of Sugo makes it an ideal choice for sports branding and street-style editorial use. Lighter weights
TT Phobos is a pliable display serif with a soft and gentle character. The features of the typeface are the moderate contrast between bold and thin strokes, pliable visual compensators, and the counter-clockwise bend of internal ovals. In addition to
Cocogoose is a geometric sans serif typeface designed with straight, monolinear lines and circular or square shapes. Its strong, modernist look has been softened by rounded corners and slight visual corrections that make Cocogoose not only perfect for logos and
The retro-inspired design of Aviano Copper echos the bold style of America’s Gilded Age. Inspired by the copper-inscribed intaglio printing designs of the early 20th century, the powerful, wide character shape of this font walks softly across your page while
Hello Christmas is the christmas-themed version of Zetafonts’ Hello Script family including a set of Icons (designed by Cristiana Pezzatini), both featuring multilayer color fill. An high contrast calligraphic script designed by Cosimo Lorenzo Pancini, featuring monoline swashes and terminals
BB Studio™ Round Pro visualizes the process of a neo-grotesk typeface in daily use: compressed caps for space, adipose dots for small sizes, contemporary styling for headlines and symbols for intercultural communication. ● Styles: Headline, Headline Italic, Stencil, Text, Text
TT Severs is a geometric grotesque with emphasized elements of internal brackets. A distinctive feature of TT Severs is the unusual form of internal ovals, which refers us to the style of traditional Arabic writing. TT Severs has a strong
DoubleBass is a four weights display type family with a cartoon modern aesthetic, inspired by the film title design of Saul Bass. Its main feature is the programmed switching between two interlocking sets of uppercases resulting in a bouncy visual
