TT Mussels Font
The TT Mussels font family is the successor of such popular fonts as Bender and TT Squares. At the same time, TT Mussels has a number of fundamental differences that make it a unique font family that stands out from
Tag: squarish
Pressio Font
Pressio is a study in doing things backwards. It began with the weight that’s usually drawn last: the ultra-compressed black. This was squashed down vertically in increments to make the compressed, condensed, and regular widths, then hollowed like a dugout
Harrison Serif Pro Font
Harrison Serif Pro is a sturdy yet contrasted slab serif that combines a rational and efficient approach with a warm voice. A typeface of nuances, the slightly carved and occasionally extended serifs evoke the friendly side of Harrison Serif and
Davis Font
P22 Blox is a modular system of shapes that can build letterforms and abstract patterns. Created as a working prototype for the letterpress P22 Blox project from P22 Analog and Starshaped Press, this system of shapes presents a unique approach
Innova Font
Innova. A new grotesque for the 21st century. More open. More squarish. More legible. After the many grotesques which have been designed over the years, is it still possible to improve this genre? Innova is a new design—a contribution to
Gineso Titling Font
Before the Great War, there were great posters. Posters of elegance and grandeur. Posters calling people to the pleasures of sunny southern France and to the perfections of northern Italy’s dolce vita. Le Havre, based on a poster by AM
Economica Next Font
Economica Next is a redesign and expansion of the classic Economica typeface celebrating its tenth anniversary. This new version has a wider range of weights and was adapted to work in new digital environments. It was carefully designed to save
Rogan Font
Rogan: A Robust Modular Sans. Rogans clean lines started out as an exercise in modularity and geometric forms. This initial construction approach was then adapted to improve the functionality of the family; Breaking away from the strictly modular system in
Crypt Font
Crypt is a seemingly lovely font that will look good in just about any design. But if you take a closer look, then Crypt is actually quite a scary font: it has jagged edges and a sinister undertone, making the
Yellow Balloon Font
Yellow Balloon is a typeface named after my two year old son’s favorite book: The Yellow Balloon by Dutch author/illustrator Charlotte Dematons. Every night before he goes to sleep, he wants to read the book and manages to find the
Pastis Font
Pastis is an anise-flavored drink from France – and a lovely font as well. Pastis is an all caps typeface with a different set of glyphs for upper and lower case. Use it for books, posters, ads and product packaging.
Petit Four Font
A “Petit Four” is a small, bite-sized, French pastry. The font before you is a bite-sized Hanoded original. It is handmade, fun to use and comes with a lot of calories. Like its namesake, use Petit Four sparingly and it
Astromonkey Font
Astromonkey – here he is, all new, all excited to be alive! Astromonkey comes from outer space, where he has rubbed shoulders with the Star Trekkers, the aliens and Major Tom, who is still floating in his tin can. The
Cortese Font
As usual, I stumbled upon a great 1971 Italian movie poster when looking for something else. The poster for “La Morte Cammina Con I Tacchi Alti” (directed by Luciano Ercoli), was made by an unknown artist and comes with a
Gineso Font
Michaelangelo. da Vinci. Bellini. Rafael. Masters of Italian art whose names have dwarfed those of many other great Italian artists. Yet relics from these other artists remain, though often unnoticed because of their practical nature. These unknowns are the Italian
NotaBene Font
“NOTABENE” is a new, squarish, narrow, technical font– designed by Gert Wiescher in 2015 – has 7 weights with corresponding oblique cuts. “NOTABENE” is well suited for advertising, logo, billboards, small text, signage, branding, packaging, editorial, posters, web and screen
Conglomerate Font
Sans or serif? Square or rounded? Calligraphic or geometric? Conglomerate is both all and none of these things — a subtle yet unorthodox blend of typographic traits resulting in a clean, unique, and versatile font family with large, open counters
Gomme Sans Font
Gomme Sans is a wide and masculine sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of this family is not only