Tag: sanserif

Bio Sans Font

Bio Sans is a super neutral sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of this family is the same as

Siro Font

Siro is a large x-height sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 7 weights from ExtraLight to Heavy and their matching Italics. The basic skeleton of their letterform was designed simply to create

Quiet Sans Font

Quiet Sans is a super geometric sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of this family is not only to

Gomme Sans Font

Gomme Sans is a wide and masculine sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of this family is not only

Altra Mano Font

Altra Mano is based on the designer’s second style of handwriting, one that is more refined and controlled. Altra Mano is a decorative display typeface ideal for headlines, logotypes, magazines, posters, and short text. Published by Kate Brankin FoundryDownload Altra

Robolt Font

It starts with the idea that different things can be mixed infinitely. Robolt comprises four designs with multiple options to add variety and playfulness. Battery and Machine have a retro touch which reminds one of toy labels from the 80’s

Petala Pro Font

Pétala Pro gave his first steps almost ten years ago. During this time, the quest for perfection had forced several interruptions. It was necessary recalculate the route, tread other ways, discover new maps, and make easy curves. After all, a

Churchward Lorina Font

Churchward Lorina is a four weight typeface family originally designed in 1996 by New Zealand type designer Joseph Churchward. A personable geometric sans serif, it possesses some of Churchward’s trademark quirkiness but remains highly legible and readable on screen as