This extensive 60-font type family was inspired by the best (and worst) of 1970s science fiction TV shows and movies. Verbatim aims to extract the essence of futuristic type from that era, add a dash of modern style and conjure
Quador Display is a serif, especially designed for contemporary typography on print and screen. The superellipse-based forms and high x-height allow large and open letterforms, perfectly adapted to the pixel grid on screen. The font contains 6 weights from light
Galatea is a universal sans serif family – clean and timeless. Both iconic and legible, Galatea is suited to cover many needs from brand identities to editorial design, advertising, logos and beyond. Cyrillic characters are featured and a wide range
TT Supermolot Neue 2.0 is the embodiment of elegant design, greater functionality and use versatility. TT Supermolot Neue 2.0 in numbers: • 4 Widths: Condensed, Regular, Expanded, Extended • 73 styles: 36 upright, 36 italics, 1 variable font • 749
Ulises is a modern serif typefamily that comes in 9 weights plus matching italics. Beautiful typefaces such as Shift, Brioni, Skolar and Malaga inspired this project. Our goal was to create an eclectic slab serif with some grotesques features, which
The TT Tsars font family is a collection of serif display titling fonts that are stylized to resemble the fonts of the beginning, the middle and the end of the XVIII century. The project is based on title fonts, that
As good as Nylon is, there’s nothing better than a nice woolly blanket. The smell and coarse, uneven texture are relaxing and feel reassuring. More comfortable. In a world where technology can reach millimetric precision, sometimes it’s good to connect
Mynaruse Flare is a new version of the Mynaruse superfamily. This version eliminates the elongated serifs of the original, and instead stems end with a flare. You will find that the thinner weights are delicate and beautiful, while the heavier
Monark family is designed with legibility and wide language support in mind. Rooted in Fyodor Dostoevsky’s Crime and Punishment, it captures the anguish & distortion atmosphere and suppresses them into ruthless letterforms. Top-heavy stems, heavy serifs, and low-contrast forms are
Trained Monkey is a happy serif cartoon font. Use it for your book cover designs, posters, product packaging (may I suggest peanut butter?) and whatever else you may fancy. This monkey was made by hand, so the glyph edges are
Vantagram is a modern display font. The typeface is made from basic square geometry. It is inspired by blackletter typefaces of the medieval period in Europe. The Vantagram name is a combination of two words derived from “vanta” French for
Kiperman is a text typeface designed in honor of Henrique Leão Kiperman, founder of the publishing house Artmed, now Grupo A. Its forms are simple and straightforward, with no unnecessary embellishments that could disturb the reading. The fonts are slightly
Meet the new TT Trailers! The first version of TT Trailers was conceived as a font suitable for the film industry. The font harmoniously looks in posters, it is ideally suited for setting titles. However, the font has gained wide
Radcliffe Hand is a typeface family designed by Cosimo Lorenzo Pancini with the help of Giulia Ursenna Dorati, re-inventing our Radcliffe family as a handwritten typeface. Each glyph of the original typeface has been lovingly traced by hand, interpreting every
Eurocine is an expansive display typeface – a square sans serif that’s perfect for titling, headlines, logotype and branding. This 36-font family is packed with features to make it supremely versatile. This typeface attempts to capture the mood of movie
Studly is a bold sans serif with bold solid and outlined font files. comes with 6 style, Studly is suitable for Logo, greeting cards, quotes, posters, branding, stationary, design title, blog header, art quote, typography art, modern envelope lettering or
Salom was designed by Austrian type designer Igor Labudovic during his year at Reading University. Besides Latin, it originally included Arabic and Hebrew. The peaceful coexistence of both writing systems in his fonts led him to combine the words Salaam
Fieldwork brings back the manual tradition of typography production, veering away from lab interpolations. Each of its 24 variants was drawn based on optical evaluation; many of its curves and details were specifically adjusted for each weight, reformulating them to