In 1938 the Frankfurt-based foundry Ludwig & Mayer released Eugen Weiss’ beautiful fraktur ‚Hoelderlin‘. Carefully redrawn and redesigned, this digitized version is intended to add another gem to the enthusiasts’ treasure drove of blackletter types. The font contains the historical
Inspired by some handwritten letter forms, the drawings and designs finally became an entire font. It is an ideal companion to create diplomas, certificates and any other vintage projects. Take advantage of the long s which can be reached when
Sonny Gothic is our most rational-geometric typefamily until so far. It’s inspired by the geometric style of the 70s, specifically by Herb Lubalin’s work. Since we were students, we have been gazing Lubalin’s logos, typefaces and magazines as inspiration that
Lupulus is a typeface inspired by the works of german expressionist artist and type designer Rudolf Koch. Drawing inspiration from types such as Neuland and Kabel for some of its features, it possesses a gothic and contemporary essence. Its constant
Fibra One looks like a “soft” version of the Fibra font, but it is actually more than that—the second part of its name suggests that it is a reinterpretation of the original typeface. While this new version maintains the overall
Laqonic 4F is a geometric modular grotesque with a technological character, perfectly suited for signage, logos and loud headlines. Published by Sergiy TkachenkoDownload Laqonic 4F
Gelion is a Sans serif with a geometric touch with a minimal contrast of strokes, inspired by Futura, Avant Garde, Avenir and neo-grotesque Akzidenz-Grotesk, Helvetica form remaining true to the gracefully geometric look of the early 20th-century typefaces, that ticks
In 1921 the Klingspor foundry released Walter Tiemann’s‚ Narziss‘. This beautiful and elegant font was completely redrawn and redesigned and extended to cover major European languagesEast and West.The font contains also a ‚long s‘ and related useful ligatures which can
URW Dock is a contemporary geometric type family rooted in the square sans genre. Inspired by the square sans typefaces of the 60s, it is a reinterpretation and enhancement particularly designed for today’s requirements of a multipurpose font: to work
Gilam is a sans serif font with semi-condensed proportions. The typeface was based on the famous DIN but combines its popular neo-grotesque look with characteristics, such as the pointed edges in the “W” and “M” as well as the outward cut terminals, which
Umba Sans is a contemporary typeface designed by Anita Jürgeleit. The undulate shaped curves create a new highly aesthetic appeal in an unexpected manner. Therefor Umba Sans fulfills your corporate identity needs as well as your editorial demands. 30 styles
Neufile Grotesk font family has its roots in one of the earliest sans-serif designs commercially available, highly legible sans serif typeface very well suited for any display and text use. Neufile can be effortlessly applied to a wide range of
Fuse Vol 2 is an extension to our popular Fuse type family. All of the corners of the typeface’s character are rounded, making Fuse Vol 2 friendlier and more amiable variant of the original Fuse. Designed with powerful OpenType features
Emy Slab is a slab serif based on the classical proportions of Egyptian typefaces but with soft terminals that give the font a more friendly and modern look. Emy Slab consists of two subfamilies of 7 weights, ranging from Thin
Nutmeg is a geometric typeface with a slight flavored touch. Although its structure is stick to the traditional forms, its details transform this typeface in a boldly project that separates it from other geometric fonts. Nutmeg’s texture can be perceived
Parler Gotisch has got a companion – Parler Fraktur. Friedrich Poppl’s beautiful and harmonious blackletter font was completely redrawn and redesigned for modern use. The font contains also a ‚long s‘ which can be reached either by the OpenType feature
