Tag: Communication

URW DIN Font

The digital outline fonts, DIN 1451 Fette Engschrift and Fette Mittelschrift were created by URW in 1984 and are the basis for all DIN font families. Both typefaces were designed for the URW SIGNUS system and were mainly used for

Hercílio Font

Hercilio is a typographic family without condensed serif, modern and geometric inspired by the architectural forms of the Hercílio Luz Bridge in Florianopolis | Brazil Comprising eleven (11), weights of which ten (10) business are: Five weights Romans: Light, Normal,

Schar Font

A humanist sans designed like a serif with high-stroke contrast, but without serifs. Calligraphic forms and consistent angle axis are combined to create a fluid and dynamic personality. Schar is a balanced sans serif with classic proportions ideally suited for

Claire Font

Claire is a handmade typography that has a relaxed look and committed to the environment, which is ideal for all types of projects related to environmental care and everything in between. Be green! Act now! Published by TomoDownload Claire

Regan Slab Font

A precision cut slab serif typeface. Simple curves are combined with sharp angles to provide a readable font with subtle characteristics. Regan Slab is ideally suited to a wide range of applications including magazines, newspapers and handheld devices. Details include

Nauman Font

A modern humanist sans serif made for the screen. Broad open letter forms are combined with precise geometry to create a functional and legible font that’s ideally suited to the web and on-screen applications. To reinforce readability and create more

Webnar Font

Webnar is a modern geometric sans serif font family of 7 weights, including italics, created with information and technology in mind. It is a functional, versatile and highly legible typeface designed to perform well in print and on screen. Webnar

Gunar Font

A geometric sans serif with a square chiseled appearance. Precise curves are met with straight lines and tapered angles to produce a fresh, technical typeface. It’s large x-height and neutral width give it good legibility at small point sizes. These

PF Handbook Pro Font

This typeface is the result of an attempt to modernize DIN, by introducing round smooth corners and distinct design elements to several characters like ‘a, g, k, m’, without compromising legibility. In order to retain its sharpness, inner corners as

Modum Font

A contemporary serif font family. The design takes influence from traditional serif forms to develop a precise, highly functional text face with a low contrast. Smooth radius details are blended with carefully drawn angles that give a crisp, distinctive aesthetic

Regan Font

A finely crafted sans serif typeface with an uncomplicated appearance. Soft curves are mixed with minimal angles to create a readable font ideally suited for identity, editorial and online uses. Details include 10 weights with italics, 540 characters, 5 variations

Vivala Media Icons Font

Vivala Media Icons is a set of 97 symbols of modern media devices and controls for various functions, such as volume, brightness and many others. Published by Johannes HoffmannDownload Vivala Media Icons

Kobern Font

A strong, horizontal sans serif typeface. The letterforms distinct lateral emphasis combined with condensed proportions helps improve readability and use of space across layouts. Ideally suited for a wide range of modern applications, details include 9 weights with italics, 540

Baufra Font

Baufra is a humanist sans-serif typeface. It is based on the sans-serif typefaces of the early 20th century. A characteristic feature of Baufra is its geometric design combined with an earthy naturalism. Baufra family includes 6 weights, 435 characters, manually

PF DIN Text Condensed Pro Font

The DIN Text series was based on the original standards but was completely redesigned to fit typographic requirements. Completed in 2002, it was first released in 2003 and published in our catalog, as a group of 4 separate families each

PF DIN Display Pro Font

DIN Display was designed as an alternative to Parachute’s Din Text series. While Din Display seems to retain DIN’s basic characteristics, it shines with its sharper corners and contemporary look. Completed in 2002, it was first released and published in