In the ever-evolving sphere of digital and graphic design, finding a font that embodies both versatility and personality can be a veritable challenge. Enter Inter Sans, a stirring fusion of early 20th-century charm and contemporary geometrical precision. Designed to respond
In the realm of digital design, the criticality of typeface selection is undeniable. A well-suited font bears the potential to accentuate visual harmony, breathe life into the design, and carve out an distinctive brand identity. Among the plethora of digital
Aqueo™ is a versatile display font family inspired by the cylindrical wireframe of a water glass. The one-sided round corner details added a contemporary feel to this unique typeface. It comes in 6 weights and 12 styles. To ensure the
If you still think that a serif font is a typeface with a strong historical character that difficult to apply in modern realities, meet the new typeface from TypeType! TT Livret is an elegant, modern and functional serif font featuring
Part of the extended Rahere typeface family, Rahere Slab is a humanist slab serif (or Egyptian) in six weights from light to extra bold with corresponding italics. Rahere Slab – like its siblings Rahere Sans & Rahere Informal – features
What do you get when you cross Industrial Revolution with Art Déco? The raw force of steam-powered vessels with the panache of dashing streamliners? A sturdy industrial grotesque with a swanky stylized sans? We don’t know, but our Layfort is
The turnkey font is a modern grotesque typeface, it could be described as a neo-grotesque with hints of geometric shapes. Designed to be a versatile typeface for both small and large sizes, ink traps have been used as a design
Grotesque sans typefaces: you know you won’t ever get tired of those. And any moment you decide that Vignelli was right and one Swiss font is enough, here comes a new specimen from the past inviting you to try new
Meet Tilson, a versatile workhorse family for both texts and headlines based on a geometric and straight-lined design. It will give your apps, websites, logos, posters and so much more a techy and masculine look and feel. However, some friendly
Rothek is defined by its strong and unique character. It comes in 21 styles — 10 uprights and 10 italics and 1 variable font — and is a perfect tool for any designer who needs a versatile font for a
Designed by Cosimo Lorenzo Pancini with Francesco Canovaro as a development and reinvention of Tarif by Andrea Tartarelli, Ambra Sans is a humanist sans typeface family, drawn around a lively, expressive skeleton but developed with a contemporary, post-digital sensibility that
Monark family is designed with legibility and wide language support in mind. Rooted in Fyodor Dostoevsky’s Crime and Punishment, it captures the anguish & distortion atmosphere and suppresses them into ruthless letterforms. Top-heavy stems, heavy serifs, and low-contrast forms are
Cobbler is a friendly type family in six weights. With proportions of geometric type, Cobbler is a contemporary sans on the inside and an ultra soft display typeface on the outside. Not a single sharp corner and only a hand
Salom was designed by Austrian type designer Igor Labudovic during his year at Reading University. Besides Latin, it originally included Arabic and Hebrew. The peaceful coexistence of both writing systems in his fonts led him to combine the words Salaam
Axios was designed, on one side, due to its rational intention of searching the beauty on the purity of its forms, assuming the language of the early XX century geometric sanserifs. But its structure foundations are deeply attached into the
Internacional, inspired by the International Style, is a Latin American-flavored neo-grotesque sans serif typeface made with organic ingredients and sweetened with organic sugar and chocolate. Internacional is well-suited for corporate identity, branding, publishing projects, logotypes, magazines and advertising. Its large
Config is a condensed geometric sans serif family consisting of 40 fonts in 10 weights plus italics. The Config typeface was influenced by geometric sans serifs with circular forms on the tops and bottoms of characters, but the proportions have
