Tag: type design

SG Scratter Font

SG Scratter is a dynamic and eye-catching display font that is sure to make any design stand out. With its sharp and crisp edges, this font exudes a sense of boldness and confidence that is perfect for headlines, logos, and

Kaylani Font

Kaylani – a Vintage Script Display Typeface. This typeface has many alternatives with swashes that can make your lettering/logotype more attractive. This font is suitable for logos and various other formal forms, such as invitations, labels, logos, magazines, books, greeting/wedding

Noken Font

Noken Extended is a sleek and versatile sans-serif display typeface family that comes in three weights with ligatures and alternate letters. Its extended width makes it perfect for creating attention-grabbing typography, whether you’re designing for print or digital media. Noken

Askale Font

Askale – Victorian Vintage Display Typeface. This typeface has many alternatives with swashes that can make your lettering/logotype more attractive. Bold serifs and more swash on each character make this font even more unique. This font is very suitable to

SG Sunblum Font

Introducing the “SG-SUNBLUM” font, a modern sans-serif typeface that stands out from the crowd with its extraordinary design elements. This font features sleek, elongated lines and bold, asymmetrical letterforms that give it a dynamic and eye-catching appearance. It also includes

Rinjani Font

Rinjani sans is a all-caps sans serif with Wide Stretch contemporary typographic, vintage futuristic art-deco touch Streamline influence of the 1930s and 1940s. A mix from the old Euro-American signage/advertising letters and modern clean sans serif, carefully mousecrafted to bring

Barranco Font

Barranco is a 3d layered font family of 3 weights (thin, medium, black), plus shadows and one inline effect layer. It’s inspired by the caps neo-humanist typefaces of the 80’s with a mix of new trends such as the new

D hanna Font

D Hanna is a typeface that has 22 variants. It’s inspired by 1920s German modernism as well as by the neohumanist typeface of the ‘90s. It has a rigid structure but also an ink drawn ductus, which softens the form.