Tag: traditional
The Legend Trio Font
This font trio was crafted by hand under inspiration of traditional american typography and lifestyle. Collection includes Script, Sans and Serif, which perfectly cooperating for creating a vintage mood. It can be used in different purposes: lettering and logotype, labels,
Addington CF Font
Addington is a graceful and reliable serif, useful in any situation. Beautiful yet practical, Addington is designed for excellence in text-heavy settings while doubling as a capable and strong display typeface. Complete with seven weights, true italics, and many OpenType
Knucklehead Font
Stand out in the crowd and spread your message across with a creative font family! The source of inspiration for this special font family was the American western culture. We wanted to create a font that offers the opportunity to
Tenez Font
TENEZ, A GRAND SLAM WORTHY POINTED NIB SERIF We designed Tenez for one of our branding projects – Coralinda, further developing the resulting logotype into a typeface we felt could solve many designers’ needs. Its origins are rooted in pointed
Garibaldi Font
Garibaldi is a text typeface based on humanist calligraphy. It has an organic look and feel, while preserves the traditional construction of roman typography. It all started with a desire to learn more about the origin of the strokes on
Gaulois Font
A couple of years before the second World War, Marcel Jacno, the popular French graphic designer who in the 1930s designed iconic posters for Gaumont and Paramount and famously illustrated the Gaulish helmet that first adorned the Gauloises cigarette packs
Steinburg Modern Font
Steinburg Modern™ is largely a variation on a Garamond-styled typeface with differences in some character designs and in the overall character proportions. In addition, the curved brackets that were a distinctive part of Garamond’s 16th century design are perhaps the
ATC Rosemary Font
ATC Rosemary is a didone print-font comprised of over 315 characters, producing extreme contrast between abrupt and thin serifs at large sizes. The luxurious feel of Rosemary utilizes not only hairlines and ball serifs, but expresses similarities to Romantic fonts
DeLuxe Gothic Font
Michael Doret was always very aware of the fact that Morris Fuller Benton’s classic Bank Gothic, a longtime favorite of his, didn’t contain any lowercase characters. So he set out to remedy that by designing his all new DeLuxe Gothic,
Bodoni Egyptian Pro Font
Beneath the dominant signifier of identity, a surprising dimension of Bodoni is revealed its core architecture, stripped of the famous high contrast cloak. Further subverting typographic norms, a monoline of even width (in all but the heaviest weights) here describes
Mandinor FY Font
Normandie FY is a victorian modular family of 3 different typefaces very contrasted: Modern, Gothic & Italian. Perfect for headlines and any other titling creations, this font family feels very good when used in super poster size. Ornaments, letters (and
Journal Font
Journal type family is a low-contrast text face of the Ionic-Legibility group. It was designed at the Polygraphmash Type Design Bureau in 3 styles in 1951–53 by Lev Malanov and Elena Tsaregorodtseva.The fonts were based on Cyrillic version of Excelsior
Peleguer Font
Peleguer typeface is the reinterpretation of the characters that the valencias goldsmiths Peleguer Manuel, father and son had opened and merged between 1779 and 1783 on behalf of the Royal Economic Society of Friends of the Land of Valencia “in
Alexander Quill Font
Alexander Quill was originally designed in the early 1980s to be cut in 14 point for casting into foundry type for the setting and printing of limited edition books at Pie Tree Press, Jim Rimmer’s private sanctum. This alphabet exhibits
Shepia Font
Shepia is a Monoline Cursive Handwriting. classic and fun vintage script. With almost 390 glyphs and 188 alternative characters, contain with opentype features. Stylistic alternates, Ornament, swash and more. Can be used for various purposes.such as logos, wedding invitation, t-shirt,
Salzburg Font
Designed by Steve Jackaman, Salzburg is a unique and retro-like sans-serif re-tooled from the QBF Collection. Published by Red RoosterDownload Salzburg
Fellowship Font
Named in tribute to the members of the American Typecasting Fellowship, this font is an original expression of Jim Rimmer's left-handed calligraphy. It was designed and cut in 24 p in the early 1980s, then cast as foundry type on
Saint Louis Font
Designed by Steve Jackaman. Based on Players, a typeface from English designer Adrian Williams, circa 1976. Published by Red RoosterDownload Saint Louis