TT Backwards is an experimental font project inspired by the USSR typography and fonts of the late 70s and early 80s. Shop signs, posters, and book design—this is where we drew the inspiration for our project from. TT Backwards consists
Autobus is a heavy duty sans serif with a strong and technical look. Autobus contains 4 weights and multilingual support provide the versatility you need for your design projects. Published by NimavisualDownload Autobus
Zenga is a contemporary typeface that fuses precise geometry with subtle hints of blackletter forms. The concept was to adapt core values from the gothic style and develop a design suitable for grid and pixel based platforms. Details include five
The TT Mussels font family is the successor of such popular fonts as Bender and TT Squares. At the same time, TT Mussels has a number of fundamental differences that make it a unique font family that stands out from
Step into the beauty of Belda’s elegant form and discover the richness flowing from both its historic influence and its strong elements. At its heart, Belda’s graceful style embodies the classical calligraphy of the Roman capital, best known from such
Ramston is a humanist sans serif typeface of 20 fonts in total — a normal and a condensed width in 5 weights with matching italics. The condensed version is designed for space-saving typography but with high legibility in mind. Ramston
Typold originated out of the desire to improve, geometric forms and push beyond previous achievements through collaborative working methods and knowledge sharing. The result is a finely balanced modern sans serif constructed from mathematical inputs, typographers needs, and the natural
Designer: Franco Jonas Hernández 2015 First Prize TipoType award. Neftali is a type family designed for continuous reading in long texts & editorial design, created as an interpretation of Pablo Neruda’s “Poema 20”. This work delivers a subtle experimentation of
Couplet CF is expressive and practical, with a blend of precision and warmth. A strong rectangular underpinning and slightly condensed construction support bright, attractive letterforms across seven weights. Couplet’s simple shapes and clean construction are designed to be used anywhere
The Mitram family has 7 weights, ranging from Thin to ExtraBold (including italics) and is ideally suited for advertising and packaging, book text, logo, branding and creative industries, small text, wayfinding and signage as well as web and screen design.
P22 Blox is a modular system of shapes that can build letterforms and abstract patterns. Created as a working prototype for the letterpress P22 Blox project from P22 Analog and Starshaped Press, this system of shapes presents a unique approach
Over the past couple of decades, the many applications that joined print as media requiring design solutions have combined to necessitate a visual evolution that favours controlled optical geometry and careful counter-space consideration over ornamental features traditionally associated with print
It took me 12 years to bring this extensive font family to completion. A lot has been changed, transformed, peeled and developed in all those years. For many of my projects I used it as my quarry and so it
This all started with a love for Minister. This is a font designed by Carl Albert Fahrenwaldt in 1929. In the specimen booklet, there’s a scan from Linotype’s page many years ago. They no longer carry the font. I’ve gone
This is the display version of Librum. Librum means “book” in Latin, which I thought was appropriate. Bream is Latin for proclaim—appropriate for display work. The fonts are very close to Librum-Book and Librum-Italic, with the same OpenType features. The
URW Geometric Extended is the matching complement for the URW Geometric, including 20 additional extended styles. URW Geometric is a sans serif typeface inspired by the German geometric typefaces of the 1920s but designed for modern usability. The character shapes have optimized
It took me 12 years to bring this extensive font family to completion. A lot has been changed, transformed, peeled and developed in all those years. For many of my projects I used it as my quarry and so it
The major focus of my life and ministry at this point is book design. In the brave new world of 21st century self-publishing a new paradigm has arisen: the indie small shop. One of the problems is that all books