Tag: nordic
Scandinavian Font
Scandinavian font family include three fonts: decorative, black and symbols. You can mix & match them to achieve interesting results. One of the main perks of Scandinavian font family is extensive language support. Besides English & European languages it has
Kandin Font
Kandin is a modern geometric sans inspired by Scandinavian interiors. With a cool and collected feel and low-key luxury, Kandin has a crisp and uncluttered feel providing legibility with strong doses of aesthetic pleasure. Being one of the most static
Visby Slab CF Font
Visby Slab is a geometric slab serif built on the popular Visby font family. Fun to use and delightfully expressive, Visby Slab is vibrant and strong in all of its eight weights, and features true italics and wide language support.
Agatha Font
Agatha is a new typeface for titles and short texts in big sizes. It can be use both in editorial publishing and brand design. From gothic geometric bases, the letters resemble the Nordic style in order to be more feminine,
Solitas Font
We give you Solitas, a 7-weight sans-serif from Jeremy Dooley. Made of 42 fonts, from the slender thin to the powerful bold and their matching italics, this typeface family features typographic options including ligatures, fractions, alternate unicase, upright italics, and
Visby CF Font
Friendly and charismatic in lowercase; sophisticated and authoritative in uppercase. Visby is a geometric font family inspired by the stark beauty and crisp air of the Arctic North. Hard lines and sharp corners mesh with smooth, rounded forms, while subtle
Nordikka Font
Nordikka is a 10-style sans-serif simple pure typeface designed by Luciano Vergara. Nordikka is a condensed font with a large x-height and straight terminals well-suited for headlines and short texts. A good option for clean and visually appealing designs. Nordikka
YWFT Isanti Font
Named after one of the most Swedish-American counties in Minnesota, Isanti is a hand lettered calligraphic font made to honor our nordic heritage, Lutheran illumination, and European newsstands. Generous spacing was given to Isanti to help with legibility at smaller
Leather Font
Leather has three features usually not found in other blackletter fonts: Grid-based geometric strokes and curves: In the early 1930s, blackletter design had already begun interacting back with the modern sans serif it birthed at the turn of the century.