Tag: linear
Aviano Copper Font
The retro-inspired design of Aviano Copper echos the bold style of America’s Gilded Age. Inspired by the copper-inscribed intaglio printing designs of the early 20th century, the powerful, wide character shape of this font walks softly across your page while
Finland Font
Finland was inspired by European type specimen books, especially Finland type standard. Delivering some glorious vibes of the solid values from the pioneers and keeping one eye on todays demands and technology, Finland is made for high professional use. Finland
Cristal Font
Cristal is a modern typeface inspired in the cuts of a bevel effect. Its lines build each letter as a cutted gem giving an unique elegant aspect. It comes in two weights to be used at different sizes and has
Laqonic 4F Font
Laqonic 4F is a geometric modular grotesque with a technological character, perfectly suited for signage, logos and loud headlines. Published by Sergiy TkachenkoDownload Laqonic 4F
Flexo Soft Font
Flexo Soft is the soft companion of Flexo. In Flexo Soft, the sharp edges of Flexo’s characters have been tempered by a moderate rounding—creating a softer and friendlier typeface. Flexo Soft has a squarish design, making it stand out in
Condesqa 4F Font
Condesqa 4F is a sans serif font design published by Sergiy Tkachenko Published by Sergiy TkachenkoDownload Condesqa 4F
Official Font
Official is a very clear and legible font family of 14 fonts. Its simplicity makes Official an ideal style to use in any project you could imagine. Published by Corradine FontsDownload Official
Filter CF Font
Fusing constructivism, fashion, and design, FILTER CF is an experimental display typeface in five weights. Excellent for short bursts of stylized text, Filter features Latin and Cyrillic alphabets with nods to art deco, geometry, and science fiction. Version 2 adds
Virginia Neo Font
Virginia Neo is a completely redrawn version based on the original 1970 design, which won its designer first place ahead of 5,000 other submissions to the Lettergraphics International Typeface Design Competition that year. The original typeface family comprised 5 weights,
Kitami Font
Talbot Type Kitami is a minimal, geometric, stencil display font, inspired by Herbert Bayer’s Universal Typeface, created at the Bauhaus in the 1920s. Each character is created from a single continuous stroke, or combination of strokes. Kitami features an extended
Harrison Serif Pro Font
Harrison Serif Pro is a sturdy yet contrasted slab serif that combines a rational and efficient approach with a warm voice. A typeface of nuances, the slightly carved and occasionally extended serifs evoke the friendly side of Harrison Serif and
Mensrea Font
Mensrea is a versatile display and text superfamily combining 32 different styles into a urban, street, themed design bundle. Based on a functional and condensed sans serif, Mensrea equally includes a large range of complimentary weights that can either be
Trump Gothic Pro Font
Trump Gothic is a reconception of ideas from Georg Trump's seminal 1955 Signum typeface and its later reworking (Kamene) by Czech designer Stanislav Marso. Originally cobbled together for a variety of film projects in the late 1990s and early 2000s,
Civane Font
High atop the mountain of fonts, a new structure has been raised–one solid and strong against the challenges of time. Civane is a victorious conqueror among fonts, standing above the clutter and the mundane. Its firm structure joins effortlessly with
Trump Soft Pro Font
Trump Soft Pro is the softer, round-cornered version of Trump Gothic Pro, the popular condensed gothic seen on films, magazines, book covers and fashion brands all over the globe. Trump Soft offers a friendlier grade of the same economic functionality,
Davis Font
P22 Blox is a modular system of shapes that can build letterforms and abstract patterns. Created as a working prototype for the letterpress P22 Blox project from P22 Analog and Starshaped Press, this system of shapes presents a unique approach
Davis Sans Font
Over the past couple of decades, the many applications that joined print as media requiring design solutions have combined to necessitate a visual evolution that favours controlled optical geometry and careful counter-space consideration over ornamental features traditionally associated with print