Tag: informal
Bumpo Soft Font
Bumpo Soft is a chunky and a fun display typeface family with rounded edges. It is the softer version of Bumpo. With an extra heavy but friendly personality, Bumpo Soft works well for posters, food packaging, children’s products and books,
PAG Bankas Font
Inspired by and based on retro propaganda posters, movie posters, shopfront lettering and advertisements of the early 20th century. Published by Dharma TypeDownload PAG Bankas
Fast Hand Font
The Fast Hand set was inspired by casual, neat hand lettering. They are casual and informal and ideal for use in conveying these qualities. They are excellent for casual text and at large sizes an effective casual display font. Both
BrushStrike Font
The BrushStrike Family is an exercise in dynamic, gestural brush type design by Francesco Canovaro. The typeface contains no lowercase set, but it doubles the uppercase with a strikethrough alternate set to be used for dynamic logo design and unusual
Sonder Font
Sonder is a smooth brush Scrit and condensed Sans family of three weights on both. Both Script and Sans work as standalone fonts but they’re designed to go nicely together. Combine with Sonder Extras for smooth brush strokes for ambitious
Argone Font
Argone is a handmade, organic, display family and comes in four weights. Published by Deepak Singh DograDownload Argone
Brewski Original Font
The Brewski Original is another display serif font with hand drawn Vintage style, and a touch of ornament makes this font look stylist. Inspired by vintage Brewery packaging and Beer advertising from the early 20th century. It is perfect for
Beanstalker Font
I’m not particularly fond of beans. I do eat them, but they’re not my idea of a delicacy… But this font has a ‘fairy tale’ feeling to it, and I liked the name Beanstalker. Beanstalker is a hand made font
Balaghat Font
Rapid handwriting script for posters, advertising and visual part of work. Very impressive and strong letterform stands out. Published by Dharma TypeDownload Balaghat
Garash Script Font
Very decprative script inspired by old lettering in eastern europe. Very eye-catching for picture books and toys for children. Published by Dharma TypeDownload Garash Script
Turbinado Set Font
The Turbinado™ Set was designed to be clear and easy to read with a friendly personality, ideal for advertising and packaging in both text and display settings. It has nine typefaces and an elements package all designed to work together.
Aleka Font
Aleka is a script and modern calligraphy font. The strokes flow in a casual controlled and agile way, with the aim to express personality, spontaneity and visual impact, without losing legibility. This font contain 428 glyphs with of OpenType features,
Tight Hand Font
Tight Hand is a hand-lettered serif font set. Tight Hand Regular is vertical while Tight Hand Oblique is the oblique version. Both fonts have the same uppercase and small caps lowercase alphabet, numbers, accented characters, punctuation, symbols, and miscellaneous characters.
Croogla 4F Font
Croogla 4F is a sans serif font design published by Sergiy Tkachenko Published by Sergiy TkachenkoDownload Croogla 4F
Sweet Hand Font
Sweet Hand was inspired by casual, neat hand lettering. It is casual and informal and is ideal for use in conveying these qualities. It is excellent for casual text and at large sizes an effective casual display font. The font
Dopis Font
Dopis (Допис on Cyrillic) is neo grotesque family available in four weights and in two widths. It is universal and neutral typeface, fully applicable in every situation. Contains extended Latin character set with Cyrillic support. Published by Tour de Force
Argone LC Font
Argone LC is a handmade organic typeface family. It is a variant of Argone typeface, but has lower case letters. It comes in four weights– light, regular, bold and black, which is a feature not seen much in handmade typefaces.
Sonny Gothic Font
Sonny Gothic is our most rational-geometric typefamily until so far. It’s inspired by the geometric style of the 70s, specifically by Herb Lubalin’s work. Since we were students, we have been gazing Lubalin’s logos, typefaces and magazines as inspiration that