Tag: certificate

English Script Font

“English Script” is the classic spencerian english script. I always wanted to do one of these, now finally I did. Published by Wiescher DesignDownload English Script

Metra Serif Font

“Metra” has the clarity of a classical Sans font and the charm and elegance of a Gothic Copperplate. I designed it because for some purposes one needs a Serif with that cool “Sans” look. I sell the font in 5

Dylan Copperplate Font

Dylan Copperplate is my newest addition to the ever growing family. The small flicks of the burin add an elegant touch to the solid font-design. Very handsome and useful for all kinds of invitations and business-cards as well as for

FatFritz Font

FatFritz is a rounded blackletter typeface for those of you who do not like the martial side of blackletter typefaces. Being a German, I always had this love-hate relation to Fraktur as we call it. That is why my blackletter

Copperplate Classic Medium Font

“Copperplate” was the classic nineteenth century engravers typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy’s cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally

Royal Bavarian Font

“Royal Bavarian” was commissioned by King Ludwig 1st of Bavaria round about 1834. He was probably the greatest king Bavaria ever had, but he fell in disgrace for a short affair with the famous infamous “Lola Montez” and subsequently had

Copperplate Classic Light Font

“Copperplate” was the classic nineteenth century engravers typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy’s cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally

Copperplate Classic Font

“Copperplate” was the classic nineteenth century engravers typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy’s cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally

Royal Font

The “Royal Fonts” value pack contains the famous blackletter “Royal Bavarian”, “Ayres Royal”, “Royal Blossom” and “Monkey Initials”. Plus “Romain Royal” in two cuts, this used to be the text face once designed exclusively for the king of France, the

Bold Ayres Font

BoldAyres is the heavy version of my Ayres Royal that was inspired by famous calligrapher Ayres and a little bit by a Bavarian King. Published by Wiescher DesignDownload Bold Ayres

Platinus Script Pro Font

Platinus Script Pro is the latest example of what has now become a Sudtipos tradition: Adapting conventional calligraphic methods from the last two centuries to produce modern digital scripts for the current one. This time the resulting font explores the

Bellissima Script Pro Font

While in the same vein and spirit as Burgues and Compendium, Bellissima began from an entirely different thread as those fonts. It started with Alex Trochut generously showing me a gorgeous lettering book from his grandfather’s library: Bellezas de la

Sonata Pro Font

profonts Sonata and profonts Concerto are closely related to each other. In fact, the only difference between the two related fonts is in the upper case characters. profonts Concerto’s upper cases are more complex, swashier than those in profonts Sonata.

Pickworth Font

Designed by Steve Jackaman & Ashley Muir. An antique, rustic or even mystical design that will grow on you the more you use it. Pickworth contains all the high-end features expected in a quality OpenType Pro font. Published by Red

King Bloser Font

King Bloser Is a calligraphic font family inspired by Masters of Penmanship. The name King Bloser is a homage to penman E.W. Bloser from the 18th century; While the typeface has nothing from Bloser’s work, he was one of the

Balladeer Font

Balladeer is an elegant, classical script design coming in three styles as Light, Medium and Bold. Published by URW Type Foundry GmbHDownload Balladeer