Tag: readable
YWFT Avant Modern: A Definitive Crossroad of Classic Elegance and Contemporary Savvy in Typography
In the evolving landscape of digital design, the quest for a unique font that truly dawns the cap of both classic elegance and modern savvy can sometimes feel like a journey without an end. Yet, the creative minds at YouWorkForThem
East Variable Font
East Variable is a condensed sans serif typeface. It is timeless, but with a subtle nostalgia of vintage jazz albums, film titles, newspapers, and signage. The light weight has excellent legibility at small sizes. The Extra Bold weight will
Aerodyne Font
Aerodyne is a highly versatile font family with seven weights and italics. While both modern and sleek in its line quality and flow, the fundamentals of this font set takes many of its design cues from more antiquated typestyles of
Meridiana Pro Font
The concept behind Meridiana Pro was to create an amalgamation between a rounded sans and a monospaced font in order to obtain an extensive and usable variable type-system. This typeface encapsulates a symmetrical and balanced rhythm due to the unique
Artusi Font
Pellegrino Artusi was a celebrated Italian food writer, who is credited with the creation of one of the most influential cookbooks in the history of Italian cuisine. Taking inspiration from his legacy, Francesco Canovaro decided to work on a typographic
Gibralt Font
Gibralt inspired by Venetian style Typeface that appeared in the late 14th century, with some improvisation. Designed with high contrast. The stems are not completely straight, slightly narrow in the middle, combining rounded and right angle at the terminals and
Gosent Font
Gosent is a sans serif font design published by Namela Published by NamelaDownload Gosent
Tilson Font
Meet Tilson, a versatile workhorse family for both texts and headlines based on a geometric and straight-lined design. It will give your apps, websites, logos, posters and so much more a techy and masculine look and feel. However, some friendly
Ambra Sans Font
Designed by Cosimo Lorenzo Pancini with Francesco Canovaro as a development and reinvention of Tarif by Andrea Tartarelli, Ambra Sans is a humanist sans typeface family, drawn around a lively, expressive skeleton but developed with a contemporary, post-digital sensibility that
Radcliffe Hand Font
Radcliffe Hand is a typeface family designed by Cosimo Lorenzo Pancini with the help of Giulia Ursenna Dorati, re-inventing our Radcliffe family as a handwritten typeface. Each glyph of the original typeface has been lovingly traced by hand, interpreting every
Radal Font
Two times awarded on Bienal Tipos Latinos 2012 and 2014, Radal is one of the most expected releases for all those who know well the Latin American type scene. Inspired by the capricious and temperamental southern Chile geography and the
Pauraque Font
Pauraque Serif & Sans is the perfect wide and legible companion. It’s experimental, and at the same time it’s easy on the eyes, retaining both classic elements and a modern geometric construction in a font you haven’t seen before. This
Criteria CF Font
Criteria CF is a geometric sans built with simple, efficient construction. Straight lines and clean circles combine with a tight vertical design that allows for cleanly-stacked lowercase text, striking headlines, and bold word marks. Hints of Swiss style and unconventional
Config Font
Config is a condensed geometric sans serif family consisting of 40 fonts in 10 weights plus italics. The Config typeface was influenced by geometric sans serifs with circular forms on the tops and bottoms of characters, but the proportions have
Vikive Font
Vikive is a family of Sans Serif fonts, better known in its origins as “Gothic” in America or “Grotesque” in Europe. Some authors divide them into three categories: Grotesque, Geometric and Humanistic. Probably, it can be defined that Vikive has
Config Rounded Font
Config Rounded is a condensed geometric sans serif with rounded corners. A sibling to Config, this typeface was influenced by geometric sans serifs with circular forms on the tops and bottoms of characters, but the proportions have been condensed by