Tag: hairline
Arista Pro Font
Arista Pro is the definitive version of the successful Arista typeface, designed by Francesco Canovaro, first released in 2007 as Arista Z and then reissued as Arista 2.0 in 2010. The pro version of Arista features the geometric and soft
Atiga Font
Atiga is a workhorse sans serif family with subtly distinct forms. The large number of weights and corresponding italics allow for usage at almost any size, in print and on screen. Published by Tyler Finck Download Atiga
Harrison Serif Pro Font
Harrison Serif Pro is a sturdy yet contrasted slab serif that combines a rational and efficient approach with a warm voice. A typeface of nuances, the slightly carved and occasionally extended serifs evoke the friendly side of Harrison Serif and
Oblivian Grotesque Font
Oblivian Grotesque is a sans serif type family of ten weights. The typeface is based on geometric forms with bits and pieces of modern humanistic grotesque fonts. Due the the rounded edges it has a very soft / warm look
Ravensara Sans Font
Ravensara is a contemporary, high contrast, sans-serif font family that contains 7 weight options. Published by NaumTypeDownload Ravensara Sans
Ravensara Serif Font
Ravensara is an elegant, high contrast serif design that contains 7 weight options. Published by NaumTypeDownload Ravensara Serif
Cormac Font
Cormac is a humanist typeface characterized with it’s large x-height and slightly flared stems. The word that best describes our ideas in the beginning of the project is “simple” – the idea behind it was to strip the letter forms
Comspot Font
Comspot is a rounded, typewriter-flavoured font family with a human touch. Originally designed as a custom typeface Comspot’s nine weights — razor-thin hairline to ultra black — and 14 stylistic alternates fulfil every need, from extended to display text. Comspot’s
Pusia Font
Pusia is a versatile font family with a lot of character and warmth. It is a professional, contemporary sans serif with original letter forms, friendly and dynamic feel. Its subtle curved shapes and attention to details give Pusia a very
Gineso Titling Font
Before the Great War, there were great posters. Posters of elegance and grandeur. Posters calling people to the pleasures of sunny southern France and to the perfections of northern Italy’s dolce vita. Le Havre, based on a poster by AM
Favela Font
Favela is an experimental, geometric and sans serif type family. It is characterised by scalable construction of glyphs – hairline version is at the same time condensed, regular is normal, and black is super extended, with short ascenders. Favela was
Centrale Sans Condensed Pro Font
Here comes the updated Pro version of Centrale Sans Condensed – not just a “squished” version of the normal Centrale Sans but designed from scratch with all the family characteristics in mind – combination of the grotesque and the humanist
Henderson Sans Font
The first thought that crosses a type designer’s mind upon seeing a slab serif is: I wonder what it would look if it was serifless. And so, after building Henderson Slab, I followed my instincts and gave it a sans
Gineso Font
Michaelangelo. da Vinci. Bellini. Rafael. Masters of Italian art whose names have dwarfed those of many other great Italian artists. Yet relics from these other artists remain, though often unnoticed because of their practical nature. These unknowns are the Italian
TT Teds Font
Teds is a geometric non-serif with narrow proportions created for universal application in any types of text. Relatively tall lowercase characters, open forms of semicircular characters, and low contrast between vertical and horizontal lines make this font type easy to