Tag: futura
Reviving Elegance: Embrace TOMO Replys Revolutionary Typeface
Title: Reply Font: Embracing a Fresh Perspective in Contemporary Design Introduction: In the ever-evolving landscape of graphic and digital design, professionals constantly seek innovative tools to captivate their audience. Enter “Reply,” an extraordinary typeface created by TOMO Reply that defies
TBS Gartek Font
Bring your projects to life with TBS Gartek – the headliner font super heavy stroke! Created by Typo Bureau, this unique font adds an extra touch of boldness and dynamism to all kinds of design projects. With its distinct shape
VVDS Fifties Font
Fifties is a mix of classic geometric and a bit of humanistic grotesque. The goal was to create the font for present with look to the past. In other words, I tried to came back the Modernism aesthetics of XX
Futura 1986 Font
This is my version of Futura – Futura 1986, reinterpreted and processed with a mix of 80s pop culture, punk rock and low-budget printed matter. My affective memory, before I even knew the name or relevance of this typography classic, is
Ambra Sans Font
Designed by Cosimo Lorenzo Pancini with Francesco Canovaro as a development and reinvention of Tarif by Andrea Tartarelli, Ambra Sans is a humanist sans typeface family, drawn around a lively, expressive skeleton but developed with a contemporary, post-digital sensibility that
Galatea Font
Galatea is a universal sans serif family – clean and timeless. Both iconic and legible, Galatea is suited to cover many needs from brand identities to editorial design, advertising, logos and beyond. Cyrillic characters are featured and a wide range
Ariana Pro Font
Ariana Pro is a geometric font family. It provides advanced typographical support with features such as case sensitive forms, small caps, ligatures, alternate characters, fractions, circled gures, pro kerning…This typeface comes with a complete range of ligature set options. It
Gilmer Font
Gilmer is a fresh, geometric, sans-serif font family inspired by the iconic typefaces like Futura and Avant Garde. Gilmer has a big x-height value, geometrical letterforms, sharp edges and very small stroke contrast as the neo-grotesk fonts from 20th Century.
Kaleko 205 Text Font
Kaleko 205 Text is the text specific variation of stablemate, Kaleko 205. With a shallower x-height and longer ascenders and descenders, its more traditional proportions make it more economical with space and better suited to continuous text. It’s a well-balanced,
Kessel 105 Text Font
Kessel 105 Text is the text specific variation of stablemate, Kessel 105. With a narrower x-height and longer ascenders and descenders, its more traditional proportions make it more economical with space and better suited to continuous text. It’s a versatile,
Point Font
Point aims to be an epitome of the Geometric Style. Inspired by intemporal classics such as Futura, Avant Garde or Avenir, passing through more contemporary approaches of the same style; ignited by the overarching narrative of the Modernity (Perfect Geometric
Porta Font
Porta is an all-caps sans serif that will look stunning for your designs. It presents a simple clean tone that’s confident yet smooth. It also combines futuristic and geometric touch to resemblance a balanced proportion. Features: – Uppercase in 2
Frank Font
Frank is a sans serif font design published by Daniel Feldt Published by Daniel FeldtDownload Frank
Virginia Neo Font
Virginia Neo is a completely redrawn version based on the original 1970 design, which won its designer first place ahead of 5,000 other submissions to the Lettergraphics International Typeface Design Competition that year. The original typeface family comprised 5 weights,
Oblivian Text Font
Oblivian Text is a sans serif type family of ten weights plus italics. The typeface is based on geometric forms with bits and pieces of modern humanistic grotesque fonts. It comes along with various OpenType features such as table, old
Typold Font
Typold originated out of the desire to improve, geometric forms and push beyond previous achievements through collaborative working methods and knowledge sharing. The result is a finely balanced modern sans serif constructed from mathematical inputs, typographers needs, and the natural