Tag: Fine
Maquna Font
Maquna is a sans serif font design published by Kurt Harahap Published by Kurt HarahapDownload Maquna
Cagliari Font
An elegant, stylish and easy-to-use typeface. Just as a nice hat makes you look good, Cagliari brings beauty to your designs—through the traditional flavor of Didone faces, and the simplicity of Modern and neo-Grotesk fonts. The font is based on
Lucylane – Signature Typeface Font
Lucylane – Signature Typeface is a free-flowing monoline, the two style typeface exploits the common letter-to-letter transitions of the typical cursive hand by utilizing two style points controlled within the machinations of OpenType Contextual Alternates. It can be used to
Molandika Script Font
Molandika Script is a script font design published by Great Studio Published by Great StudioDownload Molandika Script
Dharma Gothic Font
Dharma Gothic is an antiqued sans serif designed inspired by 1800s-style wood type. All glyphs had been designed carefully to be retro-looking of the old time and to fill all with nostalgia. This condensed font family with 42 styles will
Club 57 Font
With a nod towards Keith Haring illustrations, graffiti and artwork this font moves and shakes in its own way, probably a bit like the way Kieth and his friends may have danced at the very club this font is named
Quiche Font
Quiche is a high-contrast, sans serif typeface featuring ball terminals and angled stems. This 52 font superfamily is a complete branding suite. The 4 subfamilies—Display, Fine, Stencil, and Text—were created to work harmoniously together based on the need. With weights
Master Works Font
He takes the novice’s hands in his hands and forgives his fumbling. Decades removed from that seat, but only months from his journeyman toil, the Master Works on his apprentice: Shaping hands to shape hands, such that eyes may perceive
Peak Times Font
He takes the novice’s hands in his hands and forgives his fumbling. Decades removed from that seat, but only months from his journeyman toil, the Master Works on his apprentice: Shaping hands to shape hands, such that eyes may perceive
Virginia Neo Font
Virginia Neo is a completely redrawn version based on the original 1970 design, which won its designer first place ahead of 5,000 other submissions to the Lettergraphics International Typeface Design Competition that year. The original typeface family comprised 5 weights,
Neftalí Pro Font
Designer: Franco Jonas Hernández 2015 First Prize TipoType award. Neftali is a type family designed for continuous reading in long texts & editorial design, created as an interpretation of Pablo Neruda’s “Poema 20”. This work delivers a subtle experimentation of
Oblivian Grotesque Font
Oblivian Grotesque is a sans serif type family of ten weights. The typeface is based on geometric forms with bits and pieces of modern humanistic grotesque fonts. Due the the rounded edges it has a very soft / warm look
Botanical Scribe Font
Botanical Scribe is modeled after the elegant hand-inscribed legends on the antique floral prints of Belgian artist Pierre-Joseph Redouté, perhaps the most famous painter of flowers. Redoute’s engravings used the stipple method—innovative for the early 1800s—and have survived in large
Red Velvet Font
A vermilion confection, favored by Salisbury House, with lineage to the Eaton’s Original. Red Velvet: Flour, sugar, eggs, Crisco and cochineal. Remarkable not only for its insect coloring, but for its fuzzy tongue-feel. Published by BLKBKDownload Red Velvet
Tabarra Pro Font
Tabarra Pro is a new typographic project, is a family of 32 fonts in 4 types: Regular, Narrow, Round and SemiSerif and 4 weights: Light, Book, Bold and Black versions with corresponding italics and swashes in all versions. These Swiss-style
Obcecada Sans Font
Typography display with art deco connotations, perfect for writing long titles and publications in magazines or holders, also for the composition and graphic design of billboards, posters or advertising affiches. Obcecada Sans typography has a set of 744 glyphs with
P22 Dyrynk Font
Dyrynkova Latinka (or Dyrynk Roman) is a text face designed in 1929 by Karel Dyrynk (1876-1949). Dyrynk, an important figure in the Czech book arts field in the early 20th century, was director of the government printing works (Státní tiskárna)
Quarzo Font
Quarzo is inspired by the flexible nib strokes to create a concatenation of refinement with character mixing the contrast with pronounced but rounded angles. This angles along with the inktraps give the font a better performance when printing. Texts will