Tag: engraving
Polyline Font
Polyline is based on a small 3×5 grid giving it a rather crude and technical look, further emphasized by the monospacing. ‘Polyline’ is a command often found in CAD-software that is used to create a series of connected lines. Published
Aviano Copper Font
The retro-inspired design of Aviano Copper echos the bold style of America’s Gilded Age. Inspired by the copper-inscribed intaglio printing designs of the early 20th century, the powerful, wide character shape of this font walks softly across your page while
Tavern Font
Tavern is a new font super family based on our Algerian Mesa design, with Tavern we’ve greatly expanded the usability by creating new light and bold weights. The addition of the bold weight made it possible to go further with
Botanical Scribe Font
Botanical Scribe is modeled after the elegant hand-inscribed legends on the antique floral prints of Belgian artist Pierre-Joseph Redouté, perhaps the most famous painter of flowers. Redoute’s engravings used the stipple method—innovative for the early 1800s—and have survived in large
Bolyar TypeCraft Pro Font
A super font family mastered to an unparalleled level of precision, Bolyar TypeCraft is a collection multiple textured styles that represent historical printing techniques. A proud member of our successful Bolyar lineage this unique type family provides unlimited options for
Bolyar Ornate Pro Font
Bolyar Pro Ornate is the latest member of our renowned Bolyar mega family and the perfect companion for our very successful FM Bolyar Pro. Developed to a new level of excellence this new improved ornate design is quite able to
Alegria Font
Alegria is a font family for joyful communication. The family consists of Alegria Roman (with upper/lowercase and oldstyle figures), Alegria Caps (with uppercase, small caps and lining figures), Alegria Bright (a small caps version with a three-dimensional feel) and Alegria
Sphinx Font
Designed by Steve Jackaman, Sphinx is a serif font based on the Deberny & Peignot, circa 1925. Originally, the inline was a capitals only font. Published by Red RoosterDownload Sphinx
Roller Font
Designed by A. Pat Hickson, Roller is a retro font design based on Iberica by Carlos Winkow for the Spanish foundry, Nacional, circa 1942. Published by Red RoosterDownload Roller
Byron Font
Designed by A. Pat Hickson, Byron is a script font based on a turn of the century design. Published by Red RoosterDownload Byron
Sinclair Font
Designed by A. Pat Hickson, Sinclair is an original script design released by Red Rooster. Published by Red RoosterDownload Sinclair
Willard Sniffin Font
Designed by Willard T. Sniffin. Digitally engineered by Steve Jackaman. Based on the original Willard T. Sniffin design of 1933 for ATF, this informal brush script was known as Keynote. Published by Red RoosterDownload Willard Sniffin
Rivoli Initials Font
Designed by Paul Hickson, Rivoli Initials is a decorative font based on the William T. Sniffin design for ATF, circa 1928. Published by Red RoosterDownload Rivoli Initials
Imperia Font
“Imperia” is derived from my Classic font “Imperium” – the Roman Original from the ‘Trajan column. I pushed “Imperia” a lot further, added two versions of swings. To make the family more usable threw in my own version of lowercase
Aviano Royale Font
Aviano returns to lend its classic line to its newest variation, Aviano Royale–named so because of the rich flow the calligraphic capitals give the established font. The extended lowercase characters give an air of formality to the face as well
Monkeytails Font
I don’t know what other type designers call those long swirling embellishment, but I call them “Monkey tails”. So when I decided on this version of my good old “Royal Bavarian”, I decided to call the new font Monkeytails. I