Tag: alternatives
Rahere Roman Font
Rahere Roman Display is an elegant design with flared stems and subtle old style features, influenced by Berthold Wolpe’s wonderful Albertus font and (to a lesser extent) fonts based on Roman square capitals. It’s a classic design for the modern
SK Synonym Grotesk Font
SK Synonym Grotesk is a geometric neo-grotesk typeface, which was developed under the influence of Swiss type design and adapt to modern realities. Its sturdy and simple structure is characterized by angular joints that accent details of the letters. The
Ulises Font
Ulises is a modern serif typefamily that comes in 9 weights plus matching italics. Beautiful typefaces such as Shift, Brioni, Skolar and Malaga inspired this project. Our goal was to create an eclectic slab serif with some grotesques features, which
Stereonic Font
Stereonic is a geometric display sans influenced by Art Deco style. Its 38 fonts across 5 weights offer the possibility to convey numerous moods and styles typical for different decades. As the name suggests, the music posters were considered as
Silverfields – Font Trio Font
The Silverfields Font trio makes life so much easier when trying to come up with a design. Being that it is textured yet elegant, it covers many different styles and can be used in many various ways The Fonts: Silverfields
Sometimes Maybe Font
Introducing Sometimes Maybe! Sometimes Maybe is a smooth bouncy hand-drawn script. It includes it’s regular, rough and italic styles, the western characters and 31 alternatives. As a bonus we have included matching decorative swashes to stir into the mix. This
Queulat Soft Font
The font is the soft version of the Queulat basic and condensed families, but keeping the same features as the original typeface. Queulat Soft is a hybrid font that combines different styles, reflecting charm, freshness and, especially, a strong personality.
Queulat Cnd Font
This font is the condensed version of Queulat, but keeping the same features as the original typeface. Queulat Cnd is a hybrid typeface that combines different styles, reflecting charm, freshness and, especially, a strong personality. Since it is a condensed
Kaleidos Rough Font
Kaleidos Rough lining brush script. It has two versions; Kaleidos Rough and Kaleidos Textured. Rough version has rough edges to mimic authentic brush strokes. Textured version has also those rough edges and in addition it has brush stroke texture to
Queulat Font
Queulat is a hybrid typeface that combines two different styles, reflecting charm, freshness and, especially, a strong personality. The font is inspired by Modern and Grotesk styles. The former is shown in some characteristic features such as teardrop terminals, which
Misty Font
Misty – two weight wild west style serif with numerous alternatives, swashes and irregular alternatives for numerous characters in SC style. Interchanging regular characters with alternatives and vice versa, allow you to do slightly strange inscriptions. Plus deco style. Published
Aniara Font
Aniara is a playful, happy and intergalactic font. Arriving in three different weights, Light, Regular and Bold. + the antagonist; the dark version without the space/counter. Aniara comes with laser shrinked upper case letters. It attacks with a alternative upper
Regan Slab Font
A precision cut slab serif typeface. Simple curves are combined with sharp angles to provide a readable font with subtle characteristics. Regan Slab is ideally suited to a wide range of applications including magazines, newspapers and handheld devices. Details include
Splendor Pro Font
Finally the light version of Wilhelm Berg’s hot-metal classic which had found its way from Schriftguss to Typoart can be released for nowadays use. Published by RMU TypedesignDownload Splendor Pro
Brixton Line Font
Brixton Line is a simple and effective handcrafted serif font but within a few clicks you can transform Brixton Line into a unique and creative headline/logo/design. With over 80 stylistic alternatives to choose from this font is great fun to
Regan Font
A finely crafted sans serif typeface with an uncomplicated appearance. Soft curves are mixed with minimal angles to create a readable font ideally suited for identity, editorial and online uses. Details include 10 weights with italics, 540 characters, 5 variations
Roundhand Font
Roundhand was created by Matthew Carter in 1966 on the basis of handwriting by Charles Snell, an English calligrapher of XVII-XVIII known in particular by his ‘The Pen-man’s Treasury Open’d’ written in 1694. The typeface has continuous cursive shapes with
Linger On Font
Linger On is a handwritten fairly rough brush script. It’s equipped with some OpenType features and an extra set of the most commonly used letters. It also includes lines and endings for you to have more fun with and make