Cyrano

/ June 13, 2021

Cyrano is unique serif font, every single letters have been carefully crafted to make your text looks fashionable and european style.

This font is specially designed for fashion-themed projects, perfectly suitable for creating elegant, chic, lifestyle design such as logos, title, magazine and more.

Cyrano has a lowercase that is uppercase letter and the uppercase is alternate, so you can change the alternative by just replacing it with uppercase, it's very easy right?

What you get:

– Letters, numbers, punctuation, multilingual support, and ligature
– Access alternate guide

Published by Jamaludin

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Crimson Black SVG

/ June 12, 2021

Crimson Black – a textured SVG brush typeface. Available in two types, solid version and textured transparent version. This type of font perfectly made to be applied especially in headlines which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features:
– Solid version and SVG version
– Numbers and Punctuation
– Multilingual
– PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations

Published by Letterhend Studio

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Corbyn

/ June 12, 2021

Corbyn is a unique sans serif font, designed to be combined with various fonts and can be applied to the design or branding of a project. This font consists of uppercase, lowercase, ligature, punctuation, symbol, mark, number, and multi-language support.

Corbyn is available in 7 styles: Thin, ExtraLight, Light, Regular, Medium, SemiBold, and Bold. This font is good for various graphic design needs, such as, magazines, posters, logos, branding, UI / UX, etc.

Published by Eko Setiawan

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The Vintage Font Collection

/ June 12, 2021

The Vintage Font Collection is bold, vintage collection loaded with 20 fonts. This collection is perfect for branding projects, home-ware designs, product packaging, magazine headers – or simply as a stylish text overlay to any background image.

What's font in collection:
– Afterclap (Regular, Outline, Textured)
– Carnival VP (Regular)
– Errorist (Regular, Outline, Textured)
– Greenth (Regular, Outline, Grunge, Diagonals, Rust Diagonals, Dots)
– Harrison (Regular, Outline, Rough)
– Propaganda (Regular, Light, Bold, Black)

Published by Vladimir Fedotov

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Codec Pro

/ June 12, 2021

Codec Pro is the newest incarnation of the Codec family, developed in 2017 by Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli as a research on the subtleties and the variations on the theme of the geometric sans-serif design.

The original typeface has been completely redesigned and expanded to feature a wide range of eleven weights, from the hairline thin to the bulky fat, while the character set has been extended to include not only latin, cyrillic and greek but also arabic, farsi and urdu scripts.

A veritable swiss-knife for the designer, Codec Pro also includes a wide range of alternates and stylistic sets that cover all the subfamilies and the moods of the original type system. So while the standard set (Codec Cold) has terminals cut parallel or perpendicular to the baseline, emphasizing geometry for a more construceted look, stylistic set 4 (Codec Warm) uses open diagonal cuts and humanist shapes to give the typeface a gentler, warmer feeling. Set 3 (Codec Cold Logo) comes alive with funky ligatures, while Set 5 (Codec Warm Logo) stretches uppercase characters horizontally for a dynamic, unexpect effect

Published by Zetafonts

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Erotique

/ June 11, 2021

Designed by Cosimo Lorenzo Pancini and Mariachiara Fantini with the help of Solenn Bordeau, Erotique is an evolution of the original design by Zetafonts for Lovelace, that challenges its romantic curves with the glitchy & fluid aesthetic of trans-modern neo-brutalist typography. The seductive “evil serif” look of the Pheimester-like Oldstyle letter shapes is made edgier by the quirky connections and unexpected calligraphic twirls that marry digital distortions to traditional penmanship. Sensuous but sharp, Erotique speaks the language of teasing, and unrequited love, over-the-top and restrained like a show of Japanese Kinbaku, and beautifully heartbreaking like a friendzone valentine.

Designed for display use, this high-contrast serif typeface is ready to take center stage in projects where a subtle elegance and an edgy, aggressive touch are required. For branding use it is paired by a Erotique Ornaments, a set of interlocking patterns based on the font letter-shapes, allowing for striking packaging, digital and ambient design. For editorial use it can add a sharp sensuality to logos and titles thanks to an impressive array of alternate glyphs, subtle ligatures and a set of whiplike fleurons, collected in the Erotique Flourishes pack. The typeface has been developed in the regular, medium and bold weight plus a monoline version, all of which have been paired with an Alternate version to give immediate access the more exotic alternate letterforms.

With a character set of over five hundred glyphs, all the the weights of Erotique cover almost 200 languages using extended latin, and include advanced Open Type features as Stylistic Alternates, Standard and Discretionary Ligatures, Positional Numerals, Swash and Case Sensitive Forms. If you are a typeface lover, be warned: Erotique could be your fatal attraction!

Published by Zetafonts

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Gojali

/ June 11, 2021

Gojali is a sans-serif font family that is fresh, geometric, and has a modern twist with a grotesk, humanist style.

The typeface is versatile and can be used successfully in Magazines, Posters, Branding, Websites, etc.

Having various sizes makes it very easy for you to use this font and has full support for Western, Central and Eastern European languages.

Published by Sabrtype Studio

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GR Altosa

/ June 11, 2021

GR Altosa is a typeface designed for headlines. With a strong display and clean nodes make text in the design become more character and great. Inspired by headline trends in a poster or magazine today. So that with a firm and a very modern style makes your design better!

This font is formed from the headline display font of a very careful title. Suitable for all graphic design projects, prints, logos, posters, t-shirts, packaging, website, ticket and applies to several types of graphic design. Especially for the use of a title! Very suitable! GR Read is compatible with any software without pain, especially in headlines with GR Altosa pairing

GR Altosa Features:
– Simple Instalation
– Opentype Features
– PUA Encoded
– Ligatures
– 350 glyphs
– Multi-Language Support with an accent (support for 26 languages): Afrikaans Albanian Catalan Croatian Czech Danish Dutch English Estonian Finnish French German Hungarian Icelandic Italian Lithuanian Maltese Norwegian Polish Portuguese Slovak Slovenian Spanish Swedish Turkish Zulu Work on PC and MAC (tested)
– Numeral and Punctuations
– Suitable for any software (Adobe Illustrator, Corel Draw, Photoshop, Procreate, etc)

Published by Risman Ginarwan

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Plethora

/ June 10, 2021

A few years ago I've discovered the work of one of the most prolific typeface designers of the Bruce type Foundry in NYC during late nineteenth century. Browsing Julius Herriet's work I found a very unique kind of ligatures in his patented “Old Style Ornamented” type design. Some letters were designed with a little top tail that allowed them to connect to each other. After that, I found that he also designed a single italic weight of the same font 7 years later.

Since the beginning of the Opentype days I’ve been deeply obsessed with exploring different ways to build ligatures, so that lead me up to this point where I felt the need to create “Plethora”, this new font inspired by Herriet’s work. Extrapolating weights, adding variable technology and playing with additional interconnected letters and alternates. Definitely, Plethora means a large or excessive amount of something, and this font tries to bring back this abundance of details two centuries later. Available in 9 weights, from roman to italic, and also as variable format, “Plethora” supports plenty of latin languages and is a perfect choice for today’s design tides.

Published by Sudtipos

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