ARK Misha Font Duo

/ August 8, 2020

Introducing fresh handwritten typeface ARK Misha, is a pair of handwritten typeface, perfect for headlines, posters, quotes, letter, title, invitation. and its also perfect for DIY projects, greeting cards, labels, quotes, posters, wall art, branding, packaging, websites, photos, photo & photography overlays, signs, window art, scrapbooking, tags and so much more!


– ARK Misha Regular ( otf & ttf )
– ARK Misha Script ( otf & ttf )


– Uppercase
– Lowercase
– Numerals & Punctuations
– Multilingual

Thanks for stopping by,


Published by Edy Bagus

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/ August 7, 2020

Andallan is a font with stylish handlettering and very smooth, clean. very suitable for logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Apparel Design, Label, and etc


– Basic Latin A-Z and a-z
– Numbers
– Symbols
– Stylistic Set
– Ligature

Published by Sabrtype Studio

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/ August 7, 2020

Spektra is a multi-script type family that combines 5 scripts: Latin, Arabic, Cyrillic, Greek and Hebrew. It is a variable font – italic axis: backslant (-20°) to italic (20°). Its condensed and black shapes are combining the same style concept throughout every script. Progressive shapes contribute to expressing statements on bigger mediums. Spektra, as a super family combines different locations, cultures and ideas as statements around the world and celebrates the differences among them.

Published by Type Salon

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/ August 7, 2020

Baliem typeface is a blackletter font that consists of two styles: regular and rounded.

This font is good for logo design, branding, apparel, books, posters and other design needs

in addition there are some interesting features in this font such as ligature that makes two characters look good, alternative characters that enhance your design and unique character font style.

– Alternative character
– Multi language support
– PUA encoded

Published by Eko Setiawan

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/ August 7, 2020

Quilla Font features an unique typeface stylistic set which when use to some of the Uppercase, lowercase characters and multilingual as well.

Quilla Font has been crafted from scratch with a structural logic for balance and addition Value. with combining a variety of styles Serif, Sophisticated And Luxurious, Perfect to Create unique word mark logo, beautiful wedding invitations, use it as an elegant solution for your next magazine layout, or choose Quilla for any graphics that require a sleek look with a elegant flair.

Published by Reza Rasenda

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Radnika Next

/ August 6, 2020

Radnika Next enhances the geometry, kerning, spacing and ligature handling of the Radnika typeface. Radnika Next is a multi-purpose sans serif typeface that bridges the gap between the strong expressive typefaces of the 19th century and the finer, rather stern, typefaces of the 20th century.

Published by Hanken Design Co.

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/ August 6, 2020

Introducing our new exploration Cherione the playful sans serif font family. Cherione has a unique letterform, the lowercase designed the same height with the uppercase that gives a playfully look. Cherione font has a geometric shape and carefully adjusted to look elegant and minimalist. Perfect for fashion style, minimalist, luxury, kids, and joyful theme.

Cherione font family consists of 3 weights: Light, Normal, and Bold. So you can use this font set for many purposes such as logo, storefront, social media design, quote, name card, menu, magazine & editorial, signboard, poster, apparel needs.

There are 30+ unique ligatures which give you many variations of typography designing. Also complete with accents, swashes, and alternates.

Published by Ahmad Ramzi Fahruddin

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/ August 6, 2020

ETHIQUE is a minimalist luxury and gorgeous font that is both classically elegant and inherently modern. Create unique word mark logo, beautiful wedding invitations, use it as an elegant solution for your next magazine layout, or choose ETHIQUE for any graphics that require a sleek look with an elegant flair. ETHIQUE Font features a unique typeface stylistic set which when use to some of the Uppercase, lowercase characters, and multilingual as well.

Published by Reza Rasenda

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/ August 6, 2020

Designed by Cosimo Lorenzo Pancini and Andrea Tartarelli with Maria Chiara Fantini, Lovelace is Zetafonts homage to the tradition of nineteenth century “Old Style” typography – a revival of Renaissance hand-lettered shapes driven by the desire to create a less formal and more friendly alternative to Bodonian serifs. While taking inspiration from the letter shapes created by Pheimester or Alexander Kay – with their calligraphic curves and heavy angled serifs that influenced Benguiat and Goudy’s typefaces in the 70s – we also tried to add elegance and contrast by following another 19th century revival style: the Elzevir. This digital homage to victorian typography, aptly named after the algorist daughter of lord Byron, is developed in two optical sizes, both in a six weights range from extralight to extrabold.

The text variant offers maximum readability thanks to the generous x-height and screen-friendly design, while the display variant excels in the sharp contrast and thin details needed for editorial and large-size titling use. The italics, strongly influenced by calligraphy, have been complemented with a display script family, including luscious swashes and connected lowercase letters, lovingly designed by Zetafont in-house calligrapher.

All the thirty weights of Lovelace cover over 200 languages that use latin, cyrillic and greek alphabets, and include advanced Open Type features as Stylistic Alternates, Standard and Discretionary Ligatures, Positional Numerals, Small Caps and Case Sensitive Forms.

Published by Zetafonts

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/ August 5, 2020

Orga is a friendly sans-serif, with subtle quirks that give it a distinctive and fresh personality. Clean narrow curves give Orga highly legible and flexible sensibilities, rendering it suitable for both text and display. The Orga family was designed to provide typographic contrast and variation, available in eight distinct weights from thin to black, with matching italics. Orga has a standard character set, with coverage for Western European languages plus a standard set of OpenType features. Orga was designed by Conor Nolan and Bobby Tannam, with David Wall.

Specifications: Latin 1: Supplement; Latin Extended A; Latin Extended B; Spacing Modifier Letters; Combining Diacritical Marks; General Punctuation; Currency Symbols; Letterlike Symbols; Number Forms; Turkish.

Published by TypeGroup

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