Hargalia

/ February 17, 2020

Hargalia, a beautiful cursive typeface.

Inspired by classic cursive calligraphy from the Carolingian Renaissance era (about 8 century) which in that era, the alphabet letterform was perfected for the first time with many curvy strokes with a flat brush. Hargalia designed with penmanship and carefully digitize with many swashes included.

Hargalia typeface designed for a headline and short body text. The natural strokes with calligraphic feel that highly recommended for fashion, branding, magazine, editorial, logotype, packaging, historical quotes, and etc. This font is PUA Encoded with 430 glyphs in total! Worth every penny!

Published by Ahmad Ramzi Fahruddin

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Tournedos

/ February 17, 2020

The other day, I was cooking a curry and I suddenly realised that we, as a family, eat a lot of meat. At home we do like meat, but given the state our world is in right now, we cannot continue eating meat like there is no tomorrow. As a result, I am hunting the internet right now for good vegetarian recipes (if you have one you’d like to share, then please contact me!).

Tournedos is a beefy font family: a chunky all caps set of fonts – and a leaner set to counter and complement this rather heavy dish.

And do eat your greens!

Published by Hanoded

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Davish

/ February 17, 2020

Davish sans serif font. The minimalist monoline font family. Carefully designed based on condense height and expanded in 7 weight and 5 styles.

Thin, Light, Normal, Medium & Bold styles are recommended for editorial design such as Headline, sub-headline, body copy, footnote, document layout, and etc. You can use the italic styles too, to give you any options.

Other styles: Bold-Inline, Extra-Bold, Black & Black Rounded also good for poster, brochure, magazine, branding project, motion graphic, infographic, app design, and more!
Inspired by classic typography and modern minimalist design.

Font featured:
– Uppercase
– Lowercase
– Numerals
– Symbols
– Small-Caps (Extra-Bold, Black, Black-Rounded)

Published by Ahmad Ramzi Fahruddin

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Mistery

/ February 17, 2020

The Mistery is a handmade script font with clear style and creative projects such as logos, printed quotes, invitations, cards, product packaging, headers, logos, letterhead, posters, clothing designs, labels,as you can use the illustrative qualities of the shapes to create an art piece.

Mistery Script come with uppercase letters, lowercase letters, numbers, punctuation, and so many variations on each character including alternative opentype, general binder, and a very useful set of Swash bonuses. It's fun to use because each word can be transformed to you like.

Files included:

– Mistery (otf / ttf)
– Mistery Swash (otf / ttf)

To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.

How to access all alternative characters, using Windows Character Map with Photoshop:

How to access all alternative characters using Adobe Illustrator:

Mistery Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app.

Thanks so much for looking and please let me know if you have any questions.

Published by Akmal Yusar

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RoseGold

/ February 16, 2020

RoseGold is an elegant serif with 7 alternative glyphs for each character. It's a very versatile font that works great in large and small sizes. RoseGold is perfect for branding projects, home-ware designs, product packaging, wedding invitations, magazine headers – or simply as a stylish text overlay to any background image

– Uppercase, Numeral, Punctuation & Symbol
– 7 Alternatives for every uppercase character
– Multilingual
– 10 luxury pre-made logo templates
– 9 Shinny Photoshop Styles to enchant every design

Note: Mockups and backgrounds used are not included.

Published by Vladimir Fedotov

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Bettrisia Script

/ February 16, 2020

Bettrisia Script is a modern and elegant calligraphy script font that comes with very beautiful character changes, a kind of classic decorative copper script with a modern touch, designed with high detail to bring stylish elegance. Bettrisia Script Interesting scripts as smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy and simple letter connections. I also offer a number of alternative styles that are appropriate for many letters. This font style is perfect for various designs of your work, such as invitations, labels, restaurant menus, logos, fashion, makeup, stationery, novels, magazines, books, greeting cards / wedding, packaging, labels and others.

Bettrisia Script has 680+ glyphs and 487 alternative characters, including various language support. With the OpenType feature with alternative styles and elegant ties. The OpenType feature does not function automatically, but you can access it manually and for the best results needed for your creativity in combining this Glyph variation.

The Open Type feature can be accessed using Open Type savvy programs such as Adobe Illustrator, Adobe In Design, Adobe Photoshop versions of Corel Draw X, and Microsoft Word. And this font has given PUA unicode (special code font). So that all alternative characters can be easily accessed in full by craftsmen or designers.

Published by Great Studio

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Obsypac

/ February 16, 2020

Obsypac, our latest vintage serif. Inspired by the old lettering / signpainting, refined to made it relevant with this modern era. This all-caps font will give you strong and clean look on your design, make it works perfectly as a headlines, logos / logotypes, labels and packagings, t-shirt designs, etc. If you're a fan of classic typography, make sure you add this font to your design toolbox.

WHAT YOU'LL GET:
– Standard characters, numerals, and punctuations (OpenType Standard encoding),
– Multilingual character supports (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu),
– OpenType features such as alternate characters, stylistic sets, ligatures, etc,
– PUA (Private Use Area) Encoded Characters (you can access the OpenType features without additional design software),

Published by Fahrizal Tawakkal

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Quador

/ February 16, 2020

Quador is a squarish serif, especially designed for contemporary typography on print and screen. The superellipse-based forms and high x-height allow large and open letterforms, perfectly adapted to the pixel grid on screen. With rounded serifs Quador provides a soft and friendly atmosphere.

The font contains 6 weights from light to ultrabold plus true italics. 1.115 glyphs include 187 ligatures, small caps, tabular, old style, fractions …, and a wide range of flexibility for latin language and cyrillic support for every typographical needs. Quador is a contemporary serif typeface, special for logotypes, brands, magazines and editorial.

Published by Fontador

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Kaleko 105 Text

/ February 15, 2020

Kaleko 105 Text is the text specific variation of stablemate, Kaleko 105. With a shallower x-height and longer ascenders and descenders, its more traditional proportions make it more economical with space and better suited to continuous text. It's a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes.

The Kaleko 105 Text family comprises of four weights and includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. It is closely related to Kaleko 205 Text, which offers variations in some characters, most notably a two-storey lower case a and g.

Published by Talbot Type

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The Thief Bird

/ February 15, 2020

The Thief Bird is an informal grotesque font. Although informal and grotesque may seem to be two quite different ideas, we have to dig into the origin of this typeface in order to understand the matter.

The concept behind The Thief Bird was inspired by the adaptation that the vintage sign painters made when they took the grotesque style characters they saw in newspapers and magazines and reproduced them using a brush, aiming to make the prices of the products displayed on wooden boards stand out, as opposed to highlighting large headlines (such as the idea behind fonts like Franklin Gothic).

The Thief Bird takes the language from sign painters and turns it into a font –this time around not aiming to set prices but to bring children stories to life. Thus, some legibility features from grotesque fonts were mixed with the brush calligraphy to add grace and zest to a font intended for children.

The Thief Bird is a playful display font, with cheerful ligatures and alternate characters. It is really attractive for setting short paragraphs that tell stories for little people.

The Thief Bird has one single weight and it’s ideal to be used in storybooks, candy packaging, films, toys, logos, labels, etc. The font has an extended set of 643 characters supporting 219 Latin languages. It has a complete set of small caps, sensitive cases, more than 30 pairs of ligatures, alternate characters and much more.

This cool, informal and laid back typeface will be the perfect match for illustrations of fairy tales, comics for children and any product or publishing for the little ones.

Published by Isabel De Gregorio

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