Bosnia – Sans Serif font | 2 styles

Bosnia is wide, thin font with 2 styles and multilingual support. It's a very versatile font that works great in large and small sizes.

Bosnia is perfect for branding projects, home-ware designs, product packaging, magazine headers – or simply as a stylish text overlay to any background image.

– Uppercase, Lowercase, Numeral, Punctuation & Symbol
– Clean
– Wide
– Thin
– Multilingual support
– Bosnia Regular (OTF)
– Bosnia Outline (OTF)

Feel free to contact me if you have any questions!

Mock ups and backgrounds used are not included!

Thank you! Enjoy!

Published by Vladimir Fedotov

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Halvar, a German engineered type system that extends to extremes. With bulky proportions and constructed forms, Halvar is a pragmatic grotesk with the raw charm of an engineer. A type system ready to explore, Halvar has 81 styles, wide to condensed, hairline to black, roman to oblique and then to superslanted, structured into three subfamilies: the wide Breitschrift, regular Breitschrift and condensed Breitschrift. Designed to be as adaptable in application as it is steady in appearance, this spectrum makes Halvar as ideal for complex corporate identity solutions as it is for particular ones. For industrial duties, a stencil display version is also available.

Halvar is not only built to be flexible, but technical. Apart from the SuperSlanted, all its font styles are multiplexed—a word in one Halvar’s roman or italic widths will occupy the same space regardless of weight—allowing for fine work in annual reports, interface design, or anywhere space is at a premium and the demands of reflow, rollover and animation need to be considered.

With a character set that includes extended Latin, Greek and Cyrillic and supports more than 190 languages, Halvar’s styles have German names and multilingual ambitions. Perfect for cross-market branding. To ensure TypeMates’ usual high standards throughout all glyphs, the Cyrillic and Greek letterforms were developed in consultation with native readers.

Needless to say, a font system this comprehensive is shipped with tabular figures, circled highlights, superscripts, as well as fractions. Alternate characters let Halvar toggle between two additional stylistic sets: one plain and functional, another distinct and digital.

With manual TrueType hinting and special attention to text styles, a stable x-height, contemporary proportions and a robust design, Halvar is optimised for screen performance and ready to meet any challenge in user interface typography.

Designed by Lisa Fischabch, Jakob Runge and Nils Thomsen

Published by TypeMates

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Semi-serif? Semi-sans? Emerging from the hazy border that divides Sans from Serif, Integra aims to integrate both styles in a cool, elegant, contemporary fashion.

With its sleek anatomy, flared terminals and almost non-existent straight lines, Integra was inspired by the stressed, modulated, unserifed letterforms incised in the early 15th-century ledger tombs at Santa Croce church in Florence, and the neoclassical grotto inscriptions at Stourhead in England that dates from the mid 18th-century. Integra, however, gives a contemporary, even futuristic twist to these references by featuring original, audacious shapes on key letters like L, E and X; as well as with the modern, generous proportions of its lowercase; infusing it all with a flowing, luminous, Latin American feel.

Integra comes in several weights and italic styles, for text composition and display usage. Its rounded counterforms and arch-like shapes lend texts a spacious, neat, architectural quality, perfect for sophisticated content.

Published by Sudtipos

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